24 Day Night

Pitball

Armando Christian Pérez , (born January 15, 1981) [3][4] better known by his stage name
Pitbull , is an American rapper. His first recorded mainstream performance was on a solo track from Lil Jon 's 2002 album Kings of Crunk , which featured Pitbull rapping over Jon's production. In 2004, Pitbull released his debut album titled
M.I.A.M.I. (backronym for Money Is A Major Issue), under TVT Records ; the album included production from high-profile producers Lil Jon and Jim Jonsin . Pitbull later released his second album El Mariel , in 2006 and his third, The Boatlift , in 2007. [6] His fourth album, Rebelution (2009), included the hit single " I Know You Want Me (Calle Ocho) ", which was his first internationally popular song, and ultimately peaked at number two on the Billboard Hot 100 .
Pitbull's 2011 album Planet Pit, featured the single " Give Me Everything", which was his first number-one single on the Billboard Hot 100. The song reached number one worldwide and featured fellow artists Ne-Yo , Nayer and
Afrojack. Pitbull also released " Timber" in October 2013 from his EP album Meltdown and was a global hit, reaching number one in many countries and making it to number one on the
Billboard Hot 100 and the UK Singles Chart for a total of 20 number-one positions worldwide. The song has charted worldwide making it his second one to do so. He performed the song in different award show including the 2013 American Music Awards , in which he was the host. Pitbull has performed as a featured artist on the remixes of other hit singles. He was chosen by FIFA and Sony Music to write and record " We Are One (Ole Ola)" along with
Jennifer Lopez and Claudia Leitte, which served as the official song of the 2014 FIFA World Cup.

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THR Women in the Boardroom two

At the same time, the responsibilities also have increased. "In the old days, management would say: 'Here's our strategy. Stand up and salute,' " says Franklin. Now "it tends to be a much more dynamic, collaborative effort on strategy." And she has seen women become heads of committees on governance, audit and compensation.
"This is not your father's Oldsmobile, as that commercial goes," says Hobson (wife of George Lucas). "This is a new day." There may be an old-boy network at work on some boards, she says, but not the ones she's on. "I was a person in Chicago," she says. "I didn't have cronies. This idea that I'm a golfing buddy of [someone]? I don't even golf."
Says Hammer about serving on the IAC board: “Barry Diller chooses people who aren’t afraid to talk. He expects people to voice their opinions — if necessary, loudly.”
Even as times change, former Disney Media co-chair Anne Sweeney was advised by friends to be wary about becoming a token when she was choosing which boards to join after she left the company in January. (Before that, Disney policy precluded her from serving on boards of other public companies.) "There were a lot of boards that approached me that clearly just wanted to get a woman fast," she says. When Netflix CEO Reed Hastings invited her to join his company's board, she asked him why. "He said, 'Because of the company you've been running and because of your track record.' I thought, 'That's the right reason.' " In March, Sweeney became one of three women on the nine-person Netflix board.
Shari Redstone was the only woman director when she joined the board of National Amusements, her father's theater chain and the holding company for Viacom, in 1992. She also was the only woman when she joined the Viacom board in 1994 (before Viacom and CBS split into two companies). It was daunting, and not only because of her gender and because her background was in law and not in business. "I had to prove myself because I was my father's daughter," she says. Without speaking specifically about Viacom or CBS, the 61-year-old Redstone adds: "I do think in many instances there's a higher standard for women. It may not be forced upon us, but we take it on ourselves."

The Struggle for Women in the Boardroom

When Mellody Hobson sat with her six fellow DreamWorks Animation board members at a screening of the company's Megamind before it was released in October 2010, something struck her — and only her — immediately: There was no nonwhite character in the film other than an alien, and he was blue.
Hobson, who had joined the DWA board in 2004 and became its chairman in October 2012, spoke up in front of the group. "I said, 'Where are the people of color?' This was set in a major city in the United States. I said, 'How can this be?' " DWA founder Jeffrey Katzenberg was so struck by her remarks that after Hobson had returned to her home in Chicago, he asked her to come back to Los Angeles. Over lunch at The Grill, he promised the company never again would make such a mistake. Recalls Hobson, "He said, 'I just didn't see it.' That's the point, right?"
The point being that diversity on corporate boards brings fresh insights, as Hobson, 46, president of Ariel Investments, demonstrated. DWA's most recent movie, Home , also features an alien, but the main human character is a girl of color, voiced by Rihanna. The film grossed $386 million worldwide, and Katzenberg received moving letters of appreciation from parents happy to see a nonwhite character taking a central role. The only woman and person of color on the board, Hobson "has been an invaluable advocate for diversity and representation among our employees, our leadership and in our movies themselves, and she does it in a graceful and gracious way," says Katzenberg. "Our audience is global and diverse. The people who make our product ought to be representative of who our audience is."